For the purposes of our review, we’re using BIAS FX 2 Elite in Pro Tools with our favourite Telecaster, Stratocaster, Jazzmaster, and of course our baritone guitar for when we need to get heavy. Now that we’ve gotten the ridiculously long feature list out of the way, let’s get into actually using it. There are around 50 brand-new effects in the Elite version with the recent upgrade, making it one of the most complete sets of effects available at the moment. From Klon Centaur and Keeley Compressor to Boss DM-3 and Binson Echorec, pretty much any effect you can think of is here and accurately modelled. Of course one of the big appeals of BIAS FX 2 is the pedal selection and it doesn’t disappoint. With the Elite version, you’ll also get a selection of official Celestion impulse responses, and the ability to load your own remains from the previous version. The selection of classic mics remains, from the SM57 to the Sennheiser MD421. The cabinets have had a huge upgrade as well, with totally refreshed sounds and a streamlined interface for editing sounds. It’s like being given the keys to your local guitar store and told you can have one of everything Many of the classic BIAS models have also received a remaster with the new DSP engine, with the aim of improving the dynamic response and getting a more realistic tube saturation. You can even create a hybrid of your two favourite amps, extracting certain characteristics of their EQ to create something totally unique to you. There are more famous amp models we can name in one article here, with Fender cleans to 5150-inspired high-gain monsters and everything in between.
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